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vydayuschihsya mirovih scripachey, velikoe iskustvo Aarona Rosanda porazilo
Americanskuyu, Evropeyskuyu i Mirovuyu publiku. Priznanny kak sevodneshnyi veduschyi
skripach, Aaron Rosand prodoljaet tradicii dvuh velikih shkol igry na skripke.
Rojdenny b Indiane v semye Russkoy matery i Polskovo otca, Rosand uchilsa s
Leonom Sametini, prenadlejaschym k shkole Evgenia Ysaye, a takje velikovo Efrema
Zimbalista, studenta legendarnogo Leopolda Auera.
Rosand provyel ego gody stanovlenya v Chicago, i dal ego debiutnyi koncert v Chocagskoy Opere kogda emu bylo devyat let. V sledyuschem godu molodoy geniy provel ego orchestrovy debiut igraya Mendelssohn Concerto s Chikagskim Symphonicheskim Orchestrom pod derijirovaniem Fredericka Stocka. Posle etovo, Rosand vystupil s osnovnymi Amerikanskimi i Evropeiskimi orkestrami pod derijirovaniem takih vidayischihsya derijorov kak Rostropovich, Reiner, Kondrashin, Steinberg, Leinsdorf, Bernstein, Skrowaczewski, Slatkin, Maazel i Blomstedt.
Rosand mnogo zapisyvalsa na protyajenii ego karyery. V dopolnenii k polnim sonatam Beethovenz and Bacha, on zapisal razlichnye concerty, so specializaciey v 19go Stoletya romanticheskih shedevrov muziki. Evo zapisi koncertov a takje nebolshie zapisi s orchestrom Mendelssohna, Tchaikovskovo, Lalo, Saint-Saens, Chausson, Wieniawski, Rimsky-Korsakov, Sarasate and Ysaye byli shiroko prizany, a takje on sdelal vydayischiesya zapisi koncertov Joachim, Hubay, Ernst, Arensky and Godard, a takje polnyi koncert Humoresques by Sibelius.
V dopolnenii k koncertnoy deyatelnosti i zapisyam, Rosand v dannoye vremya igrayet rol Dorothy Richard Starling Chair v Violin Studies v Curtis Institute of Music v Philadelphii.
Translation: Radovolsky.
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